BACK TO BURRA BEE DEE

ABOUT THE 'BURRA BEE DEE' EXHIBITION

“Back to Burra Bee Dee” is visually portraying the history and development of a “parcel of land” that was bequeathed to the Aboriginal people living in and around the township of Coonabarabran in north western New South Wales.

In the latter part of the 19^th century my Great, great grandmother Mary Jane Cain continued to advocate for the rights of her people so that they could be regarded and treated more equitably within the general community of Coonabarabran. Mary Jane (self-educated) wrote letters to Queen Victoria’s representative in NSW asking for assistance so that the Aboriginal people could commence living their own lives on a more equal footing with the general community.

Mary Jane travelled by Coach to Sydney to speak to the Governor of NSW in person and she was given a fair hearing. As a result of her persistence in advocating for the betterment of her people the Governor initially handed over a 400 acre “parcel of land” which was further added to by another 200 acres over the next 20 years or so. Mary Jane Cain like many other Aboriginal activists of the time was a leader in the Land Rights arena. Outside of Coonabarabran itself Mary Jane’s story is mostly unheard and untold.

The old photographic images that I have utilised and merged with my own recent pictures were taken by members of the Barrington family in 1951. James and Joan Barrington managed the Burra Bee Dee Reserve between 1949 -1952. The Barrington family gave these photographic images to my Uncle William Robinson to utilise in any way that he saw fit. Initially Uncle Bill utilised the images to assist in creating information plaques that are now placed at significant sites around the “Burra Bee Dee” landscape. These information plaques have been installed within a project that commenced to bring “Burra Bee Dee” into existence as a place for visitors to Coonabarabran to come and visit and to gain a sense of the Indigenous heritage of the ‘Coona’ area. Uncle Bill Robinson passed away over 3 years ago and I was granted access to these images by his wife, my aunty Mrs Margaret Robinson and their granddaughter Ms Paris Norton.

By blending the older images with my new photographs I have been able to create a sense of what it might have been like to live back in that era and then to bring that era back into a more contemporary setting aided by the utilisation of coloured photographic imagery.